* Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.
The $12 Million Stuffed Shark
Don Thompson
* Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.
Geisteswissenschaften, Kunst, Musik / Kunst
Beschreibung
Why would a smart New York investment banker pay twelve million dollars for the decaying, stuffed carcass of a shark? By what alchemy does Jackson Pollock’s drip painting No.5 1948 sell for $140 million?
'The $12 Million Dollar Stuffed Shar'k is the first book to look at the economics of the modern art world, and the marketing strategies that power the market to produce such astronomical prices. Don Thompson talks to auction houses, dealers, and collectors to find out the source of Charles Saatchi’s Midas touch, and how far a gallery like White Cube has contributed to Damien Hirst becoming one of the highest-earning artists in the world.
Kundenbewertungen
drip painting No.5, marketing of contemporary art, economics of art and culture, taste makers, saatchi gallery, auctioneers, contemporary artists, dealers, marketing of modern art, Charles Saatchi, artists, contemporary art, art market, Jeff Koons, modern artists, whitechapel gallery, White Cube, marketing strategies in modern art, artists reputation, economics of art, high earning artists, art fair organizers, art dealerships, Andy Warhol, economics of contemporary art, tate modern, modern art, art and business, White Cube gallery, art deals, Jackson Pollock' s drip painting No.5, billionaire art deals, gallery owners, modern art marketing, economics of modern art, Charles Saatchi' s Midas touch, Damien Hirst, rich artists, art branding, contemporary art world, curators, modern art world, freakonomics, Tracey Emin, business of art, collectors, art buyers, Christie's, art and money, billionaire art buyers, Sotheby's, british art galleries, british art, Jackson Pollock, marketing strategies, auction houses, contemporary art market