Reframing the Ethnographic Museum
Graeme Were (Hrsg.), Michael Rowlands (Hrsg.), Nick Stanley (Hrsg.)
Geisteswissenschaften, Kunst, Musik / Kunst
Beschreibung
Since the later part of the twentieth century, ethnographic museums have come under increasing scrutiny, and many have reflected on and changed their presentation as they questioned collections so often made by colonial officials and explorers. Now is a good time to explore whether new developments in display and cultural politics provide a viable future for ethnographic museums. In particular, policies for restitution by colonial era institutions create a changed landscape for ethnographic display both in the countries from which they originate and in former colonising states.
Reframing the Ethnographic Museum presents a wide range of cultural settings across the world where ethnographic displays have appeared in their local circumstances. Non-European museum strategies raise new problems but also new solutions. Nationalism has been especially significant in museology in Asia, and in Africa new museum objectives have emerged. They share a problematic future in a digital age when the aura of artefacts is challenged by digital repositories and a public less willing to travel to visit original objects. Authors in this book grapple with the new complexities facing them as curators in the contemporary world.
Praise for Reframing the Ethnographic Museum
‘Ethnographic museums have been controversial – and have been undergoing re-invention – for decades. They are considered illegitimate, but have renewed prominence, as highly visible "contact zones" and theatres of cross-cultural mediation. This book reviews and explores the sector with insight and nuance, reporting the successes and failures of key curatorial projects, both within Europe and across the Global South.’
Nicholas Thomas, University of Cambridge
Kundenbewertungen
Africa, museums models, museology, natural history, digital collections, space politics, Indigenous curation, ethnographic museums, digital repositories, curatorial practices, museum strategies, nationalism, decolonisation in museums, ethnographic display, digital age, colonial collections, Europe, restitution, new media, Asia