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Wayward Lives, Beautiful Experiments

Intimate Histories of Riotous Black Girls, Troublesome Women and Queer Radicals

Saidiya Hartman

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Geisteswissenschaften, Kunst, Musik / Geschichte

Beschreibung

A NEW YORK TIMES TOP 100 BOOK OF THE 21ST CENTURY

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD
SHORTLISTED FOR THE JAMES TAIT BLACK PRIZE 2020

'Exhilarating ... A rich resurrection of forgotten history' The New York Times

At the dawn of the twentieth century, black women in the US were carving out new ways of living. The first generations born after emancipation, their struggle was to live as if they really were free.

These women refused to labour like slaves. Wrestling with the question of freedom, they invented forms of love and solidarity outside convention and law. These were the pioneers of free love, common-law and transient marriages, queer identities, and single motherhood - all deemed scandalous, even pathological, at the dawn of the twentieth century, though they set the pattern for the world to come.

In Wayward Lives, Beautiful Experiments, Saidiya Hartman deploys both radical scholarship and profound literary intelligence to examine the transformation of intimate life that they instigated. With visionary intensity, she conjures their worlds, their dilemmas, their defiant brilliance.

Rezensionen

s possible in my thought patterns
One of our most brilliant contemporary thinkers ... She's a theorist and writer who actually changes what'
s] rigor and restraint give her writing its distinctive electricity and tension....This kind of beautiful, immersive narration exists for its own sake but it also counteracts the most common depictions of black urban life from this time.
Exhilarating....A rich resurrection of a forgotten history....[Hartman'

Lyrical and highly readable ... Hartman opens a window onto a form of resistance less well documented than the protests led by organised labour and civil rights campaigners

How to honour the soft liquid rigour, the sharp vast tenderness, of a writer like Saidiya Hartman? ... For those of us who turn to the archive seeking comfort, looking for old ways of looking at new things, for redress to our subjugated history - this book is a balm and a pedagogic tool. <i>Wayward Lives</i> is a book that wants you to live.
for such crimes as having serial lovers, or an excess of desire, or a style of comportment that was outside white norms. From the few traces she uncovers in the historical record, Hartman manages to sketch moving portraits, restoring joy and freedom and movement to what, in other hands, might have been mere statistics
A beautiful, meticulously researched exploration of the lives of Black girls whom early-20th-century laws designated as "wayward"

With urgency and compassion, Hartman rescues the lives of young black women from the margins of history. <i>Wayward Lives</i> is a series of adventure stories that take the reader through the travails and triumphs of a multitude of black women, as they negotiate the perilous path of self-discovery at the turn of the twentieth century. In her impeccably researched new book, Hartman breathes glorious life into these true survival tales with the precision and invention of a master storyteller.

Infuses the history of black women and queer radicals with incredible life and urgency. She basically invents a new genre
This book is a love song to the wayward, a riotous poem, a lyrical homage to the minor. It changes the way we do history, the way we constitute the political, and makes resistance newly visible in the ordinary. This book changes everything.
<i>Wayward Lives</i> unsorts the archive looking for the errant, the unruly, the gorgeously disarranged paths of fugitive black girls. Fleeing from respectability, the good, the right and the true, the black girls that interest Hartman are everyday revolutionaries or what she calls 'chorines, bulldaggers, aesthetical negroes, socialists, lady lovers, pansies and anarchists.'
away from the grasp of white lawmen and the clinical gaze, and along the way gives history what it lacks and wants-black women as secret agents of destiny, deep lives from the unnamed crowd, and underground sinners as the true sponsors of social change.
Saidiya Hartman tells a mesmerizing story with a multitude of women as its heroines, lifting up invisible black seekers within the cities of one hundred years ago to the light of memory and tribute. She uses the weapons of lyric and literature to steal 'colored women'

This is scholarship as art

Lyrical and novelistic....This passionate, poetic retrieval of women from the footnotes of history is a superb literary achievement

A masterpiece... The wayward lives and beautiful experiments in which Professor Hartman is interested can only be described and illuminated in wayward and experimental ways-not in analytic detachment but by joining the experiment, by engaging in its hard-won freedoms, its autonomous profligacies, its shifting directions... Hartman radically reimagines the very idea of the portrait... A truly great and groundbreaking book.

<i>Wayward Lives</i> is a startling, dazzling act of resurrection... These remarkable black women were shamed, scorned, criminalized, studied, diagnosed and then erased from history. Yet now, Hartman challenges us to see, finally, who they really were: beautiful, complex, and multidimensional-whole people - who dared to live by their own rules, somehow making a way out of no way at all.
s] mode is intimate, radical and always alive to the details.
I was inspired, surprised and deeply moved....[Hartman'

Ambitious, original... a beautiful experiment in its own right, to be set beside the many attempts at living free that Hartman here chronicles with a keen sense of history, imagination, and love.

Fantastic, really amazing ... daring

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Schlagwörter

Toni Morrison, bell hooks, CLR James, Colson Whitehead, Souls of Black Folk, WG Sebald, post-slavery, Hazel Carby Imperial Intimacies, James Baldwin, America, Critical Fabulation, African American, Great Migration, Queer theory, Women, Teju Cole, Black History, MacArthur Genius Grant, Svetlana Alexievich, Maggie Nelson, LGBT, Philadelphia, WEB Dubois, Silvia Federici, 30's, Ta-Nehisi Coates, Paul Gilroy, Carmen Maria Machado In the Dream House, Harlem Rennaisance, Revolution, National Book Critics Circle, Judith Butler, Esi Edugyan, Bernadine Evaristo Girl, Woman, Other, Feminist literature, Jim Crow, Radicalism, Queer Theory, Harlem Renaissance, Progress, Eimear McBride, Ghetto, Zora Neale Hurston, Baltimore, First World War, Jazz, 19th Century, Black Reconstruction, girl, woman, other, 20's, New York, bernadine evaristo, Social History