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Scott's Shadow

The Novel in Romantic Edinburgh

Ian Duncan

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Englische Sprachwissenschaft / Literaturwissenschaft

Beschreibung

Scott's Shadow is the first comprehensive account of the flowering of Scottish fiction between 1802 and 1832, when post-Enlightenment Edinburgh rivaled London as a center for literary and cultural innovation. Ian Duncan shows how Walter Scott became the central figure in these developments, and how he helped redefine the novel as the principal modern genre for the representation of national historical life.


Duncan traces the rise of a cultural nationalist ideology and the ascendancy of Scott's Waverley novels in the years after Waterloo. He argues that the key to Scott's achievement and its unprecedented impact was the actualization of a realist aesthetic of fiction, one that offered a socializing model of the imagination as first theorized by Scottish philosopher and historian David Hume. This aesthetic, Duncan contends, provides a powerful novelistic alternative to the Kantian-Coleridgean account of the imagination that has been taken as normative for British Romanticism since the early twentieth century. Duncan goes on to examine in detail how other Scottish writers inspired by Scott's innovations--James Hogg and John Galt in particular--produced in their own novels and tales rival accounts of regional, national, and imperial history.



Scott's Shadow illuminates a major but neglected episode of British Romanticism as well as a pivotal moment in the history and development of the novel.

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Schlagwörter

Castle Rackrent, Dialectic, Guy Mannering, Tales of My Landlord, Politics, Novelist, Caledonian Antisyzygy, Fiction, Annals of the Parish, Metonymy, Narrative, Novel, Skepticism, Irony, Anti-Jacobin, Career, Old Mortality, E. M. Forster, Fanaticism, Conjectural history, Poetry, The Three Perils of Woman, Lord Byron, Rhetoric, The Wealth of Nations, Romanticism, Ideology, Genre, Modernity, Jacobitism, David Hume, To Burke, Writing, Border ballad, Disenchantment, Memoir, Allegory, Criticism, Literature, Ossian, Bildungsroman, The Philosopher, The Lay of the Last Minstrel, Satire, Narration, Necromancy, The Theory of Moral Sentiments, Scottish Enlightenment, Physiognomy, Hogg (novel), James Macpherson, Sovereignty, Blackwood's Magazine, Historical romance, Sartor Resartus, Historical fiction, Monomania, Bathos, Horace Walpole, Historicism, Jacobin novel, Phrenology, Bard, Redgauntlet, Political economy, Postmodernism, Parody, John Home, The Antiquary, Civil society