Leseprobe
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Electric Salome
Rhonda K. Garelick
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Geisteswissenschaften, Kunst, Musik / Theater, Ballett
Beschreibung
Loie Fuller was the most famous American in Europe throughout the late nineteenth and early twentieth centuries. Rising from a small-time vaudeville career in the States, she attained international celebrity as a dancer, inventor, impresario, and one of the first women filmmakers in the world. Fuller befriended royalty and inspired artists such as Mallarmé, Toulouse-Lautrec, Rodin, Sarah Bernhardt, and Isadora Duncan. Today, though, she is remembered mainly as an untutored "pioneer" of modern dance and stage technology, the "electricity fairy" who created a sensation onstage whirling under colored spotlights. But in Rhonda Garelick's Electric Salome, Fuller finally receives her due as a major artist whose work helped lay a foundation for all modernist performance to come. The book demonstrates that Fuller was not a mere entertainer or precursor, but an artist of great psychological, emotional, and sexual expressiveness whose work illuminates the centrality of dance to modernism.
Electric Salome places Fuller in the context of classical and modern ballet, Art Nouveau, Orientalism, surrealism, the birth of cinema, American modern dance, and European drama. It offers detailed close readings of texts and performances, situated within broader historical, cultural, and theoretical frameworks. Accessibly written, the book also recounts the human story of how an obscure, uneducated woman from the dustbowl of the American Midwest moved to Paris, became a star, and lived openly for decades as a lesbian.
Kundenbewertungen
Orientalism, Sergei Diaghilev, Le Figaro, Edwin Denby (poet), La Sylphide, Vaudeville, Dance, Gaiety Girls, Giselle, Boris Kochno, Loie Fuller, The Rothschilds (musical), Christo and Jeanne-Claude, Costume, Coppélia, Nautch, Letty Lind, Stagecraft, Danseuse (Csaky), Dion Boucicault, Experimental theatre, Appalachian Spring, Isadorables, Charles Didelot, John Luther Long, Art Nouveau, Ballet Fantastique, Jane Avril, Sonia Delaunay, Tiller Girls, George Balanchine, Miss Julie, Corps de ballet, Polonius, Fairy tale, Martin Esslin, Richard Buckle, Les biches, Lincoln Kirstein, Bunraku, William-Adolphe Bouguereau, Ballet, Lynn Garafola, Skirt dance, Revenge tragedy, Emma Livry, David Belasco, Denishawn school, Isadora, Modern dance, Ballets Russes, La mer (Debussy), Jerome Robbins, Postmodern dance, The Geisha, Melodrama, Grand Guignol, Martha Graham, Ballet dancer, Isadora Duncan, Ruth St. Denis, Paul Poiret, Tristan Tzara, Jules Perrot, Narcissism, Romantic ballet, Henri de Toulouse-Lautrec, Chapter Two (play), Parody, Rosita Mauri